Steve MacLallan was born in Paisley in 1957 as a latecomer. (in contrast to his ten years earlier born brother Iain Alexander (called „Hoodie“) MacLallan whose big problem in life was always beeing too early.
The family background was not too happy: mother spent her time reading the bible and beating her husband and her children. The father was a heavy drinking taylor producing shirts with paisley pattern and high collars which weren’t too popular at this time. He was a few years ahaed of fashion. A thing that should happen to everything the older brother Iain MacLallan would do in his life later.
Not very much is known of the early years of Steve besides the fact he researched about the life of his brother who left the family at the age of fourteen to start an education as a cook in Scotland (strange idea in a country that was culinary spoken only famous for things like porridge or haggis) to get away from beeing beaten four or five times a day by his mother. The children were predominantly beaten during daytime until their father came home from work. In the evenings mother started beating her husband. Which made absolutely no sense because he was normaly rat-arsed at that time.
Steve was luckier because his mother was weak after the late given birth. Noone understood how it could come to this anyway and the main thing he had to stand was the biblereading of his mother. No beats.
So he started to watch the world from the corner he lived in. And the world in his age consisted more or less of his brother. This is maybe an explanation for the fact he was so interested in the life of his brother.
Steve felt he was a conceptional artist
since the age of five. Not very much is left from
the early phase
of his work. During his life he spent a lot of time in researching
what happened to his brother. Steve didn’t start painting before
the age of 60. And a lot of the artwork was influenced by what he
found out about his brother.
He spent quite a time travelling following the footprints of his brother. In the end he stranded in northern Germany where he lives now in the wilderness of the river Elbe.
Not a native speaker he works most with german language. The reason fort his is his strong believe in „The best precondition for awareness is ignorance.“ That’s why most of his paintings are in german. Another of his quotes on this: „Handle what you don’t know! Not understanding is a strong impulse for going ahead.“